DOGZPLOT FLASH FICTION
AMERICAN SQUIRM
Tom Leins
BREATHING IN
Howie Good
I'M TOO CHEAP TO BECOME A DRUG ADDICT
Kenta Maniwa
FLASH DRIVE
Mark Antony Rossi
CHILDHOOD
Bojan Babic
THE GROUP OF LIONS COMES BEFORE AUTUMN
Christopher James
SHORT ANSWERS
Ursula Villarreal-Moura
AMERICAN SQUIRM - tom leins
Dardanelle has cruel features. It
doesn't surprise me when he tells the boys to dip their razors in bleach before
cutting the beast. Its legs are small, stumpy almost, but they are strong
enough to knock a man off his feet. Dardanelle severs the sail-like fin with
his hunting knife. He likes to keep trophies, but the beast looks too big to
shift without a flatbed truck.
Dardanelle has the carcass of a
goblin shark preserved in formaldehyde in his kitchenette. It looks as ugly as
sin. It is small, no bigger than an average-sized man, but it looks fucking
disgusting. Dardanelle paid a fisherman in French Guiana $1,000 for the fish. I
was there when they caught it. The locals chained it to a palm tree and left it
to rot in the sun. It took three hours to die.
The beast's breathing becomes
ragged, and Dardanelle slit its flabby throat. Before walking away he wedges a
hand grenade in its mouth. Malice glints in his good eye. It blows the lower
jaw and the crocodile-like snout clean off.
Tonight Dardanelle will retire to
his rooming-house with a small, snub-nosed prostitute. He likes to celebrate in
style.
Tom Leins
Crimes In Southern Indiana
Frank Bill
BREATHING IN - howie good
The technician wears a Joan of
Arc haircut. She says, “Just do what the machine says.” The machine is a tube
with rotating lights. I’m lying on my back inside it, pants down around my
ankles. Even if I could find a pretty accomplice to escape over the border with
me, the border has probably already been unpinned, repositioned, and pinned
again. The machine says, “Breathe in and hold your breath.” There’s a menacing
buzz, followed by a burst of light, and then the machine says, “Breathe.” I
have the same questions everyone else must have: can funeral expenses be
claimed on taxes? Is this real? How do you say “fellatio” in French?
Howie Good
The Lunatic
Charles Simic
I'M TOO CHEAP TO BECOME A DRUG ADDICT - kenta maniwa
I was on Xanax, alone, watching
Space Jam on my computer, when, towards the end of the movie, at 6:00AM, after
my alarm clock made a noise, I realized the relationship between loneliness and
independence. It was not an epiphany, not rock bottom, but something unexpected
and clear, an experience that, like Michael Jordan's acting, was right
because it was wrong. As I watched the sun crawl through the blinds, the crisp
morning air pinning my skin, drying my cheeks, I felt a smile bleed across my
face, stretching, gliding, maybe, away from apathy, sarcasm, and death, in the
direction of something beautiful and vague, squishy – happy.
Kenta Maniwa
Fast Machine
Elizabeth Ellen
FLASH DRIVE - mark antony rossi
I can fit my fucking life in a
flash drive.
I know it sounds depressing but it’s not window dressing.
This shit is real.
I traveled the world writing poems and books.
I married a wonderful woman and we had two kids.
Yet I feel dead inside.
It’s not their fault. It’s not your fault.
I know it sounds depressing but it’s not window dressing.
This shit is real.
I traveled the world writing poems and books.
I married a wonderful woman and we had two kids.
Yet I feel dead inside.
It’s not their fault. It’s not your fault.
I’m not very sure it’s my fault.
Something deep says I haven’t done enough.
I want to lecture in a world that can’t listen.
Something deep says I haven’t done enough.
I want to lecture in a world that can’t listen.
I want to listen in a world that
can’t shut up.
I want to see in a world that hides in the dark.
I can fit my fucking life in a flash drive.
I want to see in a world that hides in the dark.
I can fit my fucking life in a flash drive.
Fit in a digital landscape dearth
of feeling.
Fit for a man dying to leave a legacy.
Fit for a man dying to leave a legacy.
Mark Antony Rossi
http://markantonyrossi.jigsy.com
Ghost Soldiers, The Epic Account of WWII's Greatest Rescue Mission
Hampton Sides
http://markantonyrossi.jigsy.com
Ghost Soldiers, The Epic Account of WWII's Greatest Rescue Mission
Hampton Sides
CHILDHOOD - bojan babic
Gee!
We ride a small wooden
slaughtered horse. Our nails are stained with blood because we have killed half
the village with a small crystal knife. We will sell our stockings and throw
our dolls when we grow pubic hair. We will spend fresh mornings in New Orleans
– where people wear wide hats.
You will marry me.
I will marry you.
BOJAN BABIĆ
The Melancholy of
Resistance
Laszlo
Krasznahorkai
THE GROUP OF LIONS COMES BEFORE AUTUMN - christopher james
When I barbacked in Soho Manse, I
could always count on unsnorted coke on the toilet seat lids. Five or six times
a night I’d go there, blub my finger, rub the powder, and dub my gums.
Sometimes I’d discover money too. Rolled twenties, forgotten or discarded by
those too rich and high to care. It got so I’d spend more time in the bogs than
on the floor. In the end, though, I lost that job because somebody’s girlfriend
tried to stick her tongue all up in my palate. Dude, said my friend. Don’t you
know who she is? She’s the future Mrs Me, I intoned, grand enough. Except she
wasn’t, of course. I got a job in another club, one with the acrid plastic
smell of crack in the toilets and forgotten, discarded bic tubes on the floor,
and I saw her there too, looking less fancy. Again, she wanted to kiss, but I’d
learnt my lesson. Dude, said my colleague. Don’t you know who she was? No, I told
him, but I know who I am.
Christopher James
sutcliffechris@hotmail.com
The Vagrants
Yiyun Li
SHORT ANSWERS - ursula villarreal - moura
The therapist asks about my first
memory of despair. This is too easy: a multiple-choice question with the
correct answer listed as a), b), c), and d). I reply with a wince—Sunday
afternoons of my youth spent in my parents’ living room, dust atoms arrested in
sunlight, newspaper strewn about, and the judgmental remnants of Sunday mass
percolating within me. This was my primer, my first lesson in vanishing hope.
What about my current state of
despair, the therapist asks. It’s true these emotions have matured from zygotes
into adults. They’ve lost teeth, outgrown their braids and mohawks, sat for
yearbook pictures, worked crap jobs, fought with lovers, and concocted plans to
end the flipbook of my life. Yet even when prompted, I am reluctant to measure
the depth of their reservoir—to acknowledge the sedimentary layers of their
helplessness.
The therapist invites me to
imagine my life free of despair. She is testing my loyalty, determining whether
I possess the fortitude to bury my own.
Within a month, I’ll forget the
therapist’s name, the waiting room couches, the wall art that hints at new
beginnings.
Ursula Villarreal-Moura
Twitter @ursulaofthebook
Tampa
Alissa Nutting
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